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Review: The Philharmonic Departs From Business as Usual

The New York Times – Music:

“The March to Liberation” offers a rarity that should be more regular: a world premiere, a symphony and an oratorio, all by Black composers.

Seth Colter Walls
Author: Seth Colter Walls

This post first appeared in The New York Times – Music. Read the original article.

Written by

Seth Colter Walls

in

Classical Music, Green, Ryan Speedo, Hailstork, Adolphus, New York Philharmonic, Still, William Grant, Thompson, Tazewell
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