Skip to content
  • Home
  • Journalists
    • Headlines
  • Community
    • Businesses
    • Jobs
    • Learning
    • Marketplace
  • Store
(@)

‘Shadows in the City’ Review: A Sleazy Slice of 1980s No Wave

The director Ari M. Roussimoff’s black-and-white homage to the downtown crowd gets a raw screening at the Museum of Modern Art before its restoration.

Glenn Kenny
Author: Glenn Kenny

Written by

Glenn Kenny

in

de Antonio, Emile, Mead, Taylor (1924-2013), Movies, Museum of Modern Art, Shadows in the City (Movie)
←Two Cult Classics Restored and Brimming With Chaotic Life
‘Dicks: The Musical’ Review: Hitting High Notes, Going Lowbrow→

More posts

  • Celebrity Ab Cracks Guess Who!

  • Two arrested after Palace and Vallecano fans clash

  • Fat Joe Says Cavs Did Him Dirty, Explains Ticket Fiasco At Knicks Game In Cleveland

  • ‘Love Is Blind: UK’ Stars Raise Concerns About Welfare On Netflix Series Amid ‘MAFS’ Scandal

About Us


Support Us

Trademark & Copyright 1998 – 2025 · MOSAEC

  • Facebook
  • Instagram
  • LinkedIn
  • YouTube