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‘Shadows in the City’ Review: A Sleazy Slice of 1980s No Wave

The director Ari M. Roussimoff’s black-and-white homage to the downtown crowd gets a raw screening at the Museum of Modern Art before its restoration.

Glenn Kenny
Author: Glenn Kenny

Written by

Glenn Kenny

in

de Antonio, Emile, Mead, Taylor (1924-2013), Movies, Museum of Modern Art, Shadows in the City (Movie)
←Two Cult Classics Restored and Brimming With Chaotic Life
‘Dicks: The Musical’ Review: Hitting High Notes, Going Lowbrow→

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