A new restoration of a 1986 drama by the filmmaker Paul Vecchiali melds a candy-colored vision of the world’s oldest profession with a grim take on neoliberalism.
‘Rosa la Rose: Fille Publique’ Review: Lady Liberty of the Streets
A new restoration of a 1986 drama by the filmmaker Paul Vecchiali melds a candy-colored vision of the world’s oldest profession with a grim take on neoliberalism.