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Nothing Compares to Her: A Dance Love Letter to Sinead O’Connor

The New York Times – Music:

The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.

Roslyn Sulcas
Author: Roslyn Sulcas

This post first appeared in The New York Times – Music. Read the original article.

Written by

Roslyn Sulcas

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Dancing, Factory International, Joyce Theater, O’Connor, Sinead, Pop and Rock Music, Tayeh, Sonya (1977- ), The Surge (Dance (Non-Ballet))
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