In Paul Greengrass’s dramatization of the Peasants’ Revolt of 1381, the imperatives of historical re-creation and hyperkinetic action filmmaking fight each other to a draw.
Author: MOSAEC
From The New Yorker
In Paul Greengrass’s dramatization of the Peasants’ Revolt of 1381, the imperatives of historical re-creation and hyperkinetic action filmmaking fight each other to a draw.
From The New Yorker