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‘A Face in the Crowd’ Isn’t About Trump. It Just Seems Like It.

Elvis Costello and Sarah Ruhl’s musical adaptation of the 1957 film, a satire about a hustler turned power-hungry TV personality, hits the London stage.

Rob Weinert-Kendt
Author: Rob Weinert-Kendt

Written by

Rob Weinert-Kendt

in

Karimloo, Ramin, Ruhl, Sarah, Theater
←A (Very) Belated Donizetti Premiere in South Africa
Hollywood Has Enough Fake Accents. Bring Back the Weird Voices.→

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