‘Hamnet,’ ‘Marty Supreme’ and ‘Sentimental Value’ are also in the running for best film at Britain’s equivalent of the Oscars.
Category: British Academy of Film and Television
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Stuart Craig, Who Designed the Movie World of Harry Potter, Dies at 83
A three-time Oscar winner for production design, he was one of the few people to work on all eight Potter films and their three “Fantastic Beasts” spinoffs.
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BAFTA Awards Winners: ‘Conclave,’ ‘Anora’ and ‘The Brutalist’ Take Home Top Prizes
“Anora” and “The Brutalist” also took home major prizes at the British equivalent of the Oscars, tipping the scales again.
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Wallace and Gromit Creator Discusses the Characters, Technology and the Queen
Nick Park’s latest film in the stop-motion series is up for multiple awards at the BAFTAs and the Oscars.
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The BAFTAs Rising Star Award Has a Public Option
The EE Rising Star Award is the only honor presented at the British equivalent of the Oscars that is voted on by the British public.
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BAFTA Nominations 2025: ‘Conclave’ and ‘Emilia Pérez’ Are Up for Best Film
“Anora,” “A Compete Unknown” and “The Brutalist” are also in the running for best film at the British equivalent of the Oscars.
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BAFTA Awards 2024 Winners: ‘Oppenheimer’ Sweeps
“The Holdovers” and “Poor Things” were also honored at the British equivalent of the Oscars, while “Saltburn” and “Barbie” left empty-handed.
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BAFTA Film Awards: Red-Carpet Looks From the 2024 Ceremony
See what the stars including Emma Stone, Bradley Cooper and Colman Domingo wore to British filmmaking’s biggest night.
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‘Poor Things’ Choreographer Uses Dance to Tell the Story
Constanza Macras, founder of the Berlin dance company DorkyPark, uses “dance as a function, as a language,” in her work, be it for the stage or the screen.
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‘Poor Things’ Choreographer Uses Dance to Tell the Story
Constanza Macras, founder of the Berlin dance company DorkyPark, uses “dance as a function, as a language,” in her work, be it for the stage or the screen.
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‘Wham!’ Documentary Had an Unusual Choice for a Director
The director Chris Smith was not a fan of the ’80s pop band when he decided to take on the project about George Michael and Andrew Ridgeley.