Category: Documentary

  • Super Model Tyra Banks and Her Tzone Camp for Girls to Be Featured on ‘LIFE MOMENTS’

    New, Daily, One-Hour Reality Series Featuring Relevant and Inspirational Stories By and About Women Highlights One Teenage Girl’s Week-long Experience With Tyra Banks at Tzone

    Los Angeles, CA (Oct. 30, 2002) – On Thursday October 31, supermodel Tyra Banks and her Tzone camp for girls will be featured on an upcoming episode of LIFE MOMENTS, the new daily, one-hour reality series featuring relevant and inspirational stories by and about women and the pivotal moments in their lives. (LIFE MOMENTS is syndicated, check www.lifemoments.com for
    listing information in your area).

    The upcoming LIFE MOMENTS episode highlights the impact a weeklong stay at Tzone has on 13 year-old Shamanda Thomas, a southern California high school student who, prior to her affiliation with Tzone, was experimenting with drugs and falling behind in school.

    “Tzone is really important for girls between the ages of 13 and 15 because it’s a time when there’s temptation and peer pressure,” says Banks. “So many girls feel like they’re alone, then they come here and realize they can excel.”

    Founded in 2000 by The Tyra Banks Foundation to enhance independence and self-esteem among teenage girls, Tzone is free of charge and offers girls a special, one-week overnight summer camping experience. It aims to provide campers with an open forum for self-expression, to help them visualize personal goals, develop leadership skills and to motivate them to excel academically.

    Emmy-Award winning network news anchor and reporter Asha Blake is the national host for LIFE MOMENTS, which is told in first-person narrative and  shot on location across the country in a cinema-verite style. With stories that embody the human experience — from the miracle of birth, to the romance of weddings, to triumphs over adversity. LIFE MOMENTS debuted in September and women from around the country can submit their own life moments to the show’s website for consideration at www.LifeMoments.com.

    A trailblazer for women of color in the fashion industry, Tyra Banks became the first black woman and the first model to be featured on the cover of GQ Magazine and Sports Illustrated. She has an exclusive contract with Victoria’s Secret Catalog and wrote her first book, ‘Tyra’s Beauty Inside & Out,’ published by HarperCollins in 1998. Tyra Banks film credits include, “Higher Learning,” and Jerry Bruckheimer’s “Coyote Ugly.”

  • 1 Love, 2002, 93 minutes, Rated PG

    By Ramona Prioleau

    Pedantic in its presentation, 1 Love is a documentary that traces the evolution of basketball and its development into an entertainment enterprise with universal appeal. Directed by Leon Gast (When We Were Kings), the documentary’s central themes are the sport’s genesis as an extracurricular outlet and its transition to a game overshadowed by marquee professional productions embellished with street ball electricity.

    One of the film’s most poignant segments features street ball legends Joe Hammond and Pee Wee Kirkland, who respectively symbolize opportunity lost and redirected potential. Both Hammond and Kirkland became famous in the renowned Harlem Rucker league. Hammond lacked the foresight to transition to a professional league and got too caught up in the street life, which hampered his ball game. However, Kirkland flipped the script when life threw him an errant bounce pass and has dedicated his time to schooling younger generations in fundamental basketball skills.

    The film is at its best when it centers on the game’s allure to millions far and wide and in towns big and small. But it suffers when the spotlight shifts to pro-ball prima donnas and the league that stages the dribbling divas. Although marketed on the strength of the big name hoop stars that appear in the documentary, the film is its most appealing when focusing on the stories of ball players who are not ridiculously overexposed. Anecdotes of Hoosier hysteria and a pickup game with a fire escape hoop and a rock fashioned from crumpled newspapers are gems.

    Skip past the insignificant filler mouthed by the likes of Kobe, Shaq and coach Phil Jackson; ponder the depth of Iverson’s answer; but spend time getting to know the tragic tale of a street ball legend, the war stories of senior ballers kibitzing in a Florida diner and the everyday reflections of folk that have a passion for the round ball and the swish. M

    December 2003

  • Raging Bull (1980)

    Reviewed by Ramona Prioleau

    Besides the Rocky series, Raging Bull may be the most iconic and well-known boxing movies of all time. From legendary director Martin Scorcese, the film tells the story of Jake LaMotta, an Italian-American middleweight boxer whose uncontrollable rage, obsessive sexual jealousy, and hunger for revenge led to the destruction of his career, family and, eventually, his entire sense of self. Adapted from LaMotta’s 1970 memoir Raging Bull: My Story by Paul Schrader and Mardik Martin, the film is usually regarded as one of the genre’s best and one of Scorcese’s finest films.

    Many of Scorcese’s protagonists have a certain inevitably to their story. And in few places is that more evident than in the story of LaMotta. His tale is nothing short of a tragedy and the story of LaMotta’s rise and fall is an example of some of the best screenwriting in modern cinema. The film’s point of view always feels objective and fair in a curious way as the film never takes a stance on Jake’s actions, but rather lets them speak for themselves. This is adaptation at its best—Schrader and Martin are able to turn a biased, subjective memoir into a careful, mythological-esque tale, and it’s nothing short of incredible.

    One of the reasons the script shines so brightly though is because of Robert DeNiro’s legendary performance as Jake LaMotta. In what is arguably his greatest role, DeNiro gives a performance that spans an entire lifetime and consists of nearly every emotion under the sun. DeNiro is believable and grounded in every single scene, and there are few if any others who could pull this role off. But, as is typical for him, DeNiro chews up and spits the LaMotta role out like it’s nothing.

    The film’s stylized black-and-white coloring is also a brilliant touch. Scorsese noted that he decided to film the movie in grey scale after being told that boxing gloves in the era would have been black and monochrome. Nevertheless, the black-and-white nature of the film only enhances the movie’s best aspect. It gives the film a grand sense of historical scale, and it also allows for striking moments in the scenes when there’s blood on the ropes for example. The film noir cinematography is one of the many reasons that Raging Bull transcends its genre and stands as one of the best sports films of all time. M

    December 2020

  • Pick the Best Documentary Film (2011)

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  • Magnolia Pictures Takes World Rights to I’m Still Here

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  • More Than A Game, 2009, 102 minutes, Rated PG

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