Hollywood used to be vexed by political debates. These days it turns both sides into frothy, cartoonish entertainment.
Category: Eddington (Movie)
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The Top Movies of 2025, According to Times Readers: ‘Marty Supreme’ and More
We asked you to vote on the best films of the year. The results ranged from big box office hits to small art-house indies.
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From ‘Splitsville’ to ‘Friendship,’ the Year’s Best Fight Scenes
Everywhere you looked this year, men were feuding. In movies like “Splitsville,” “Eddington” and “Friendship,” it was gloriously pathetic.
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The 25 Most Notable Movies of 2025: ‘KPop Demon Hunters,’ ‘Roofman’ and More
We polled film fans in the newsroom. These are the titles that stuck with us this year.
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Today’s Top Directors Have Some Issues With Gen Z
“Eddington,” “One Battle After Another” and “After the Hunt” focus on young characters navigating the current political climate. The depictions aren’t always flattering.
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The Best Movies and TV Shows Coming to Disney+, Amazon, HBO Max, Peacock and More in November
“Bat-Fam,” “The Beatles Anthology,” “Pluribus,” “Eddington” and “I Love L.A.” arrive, and “Landman” returns.
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Watch Joaquin Phoenix and Pedro Pascal Fight to Katy Perry in ‘Eddington’
The writer and director Ari Aster narrates a sequence that features Perry’s pop song “Firework.”
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‘Eddington’ | Anatomy of a Scene
The writer and director Ari Aster narrates a sequence from his film featuring Joaquin Phoenix and Pedro Pascal.
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7 New Movies Our Critics Are Talking About This Week
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
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‘Eddington’ Review: Once Upon a Time in the Pandemic
Ari Aster returns with a dystopian Western farce about a world gone mad that you definitely remember.
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At Cannes, Sneaky Period Pieces and Film Lovers’ Delights Rule the Screen
Movies from China, Brazil, Iran and elsewhere prove that there’s so much more to cinema than Hollywood would have us believe.
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Ari Aster Hasn’t Seen the Reviews for ‘Eddington’
The Covid-era satire has been divisive at Cannes, but the director has not seen the reviews. He’s focused on his fears about where the world is headed.