Newly excavated and restored, Peter Kass’s 1961 movie, full of trippy distortions and grim associations, gets its first New York run at Film at Lincoln Center.
This year’s edition of the festival tends toward familiar art-house fare, but there are standouts in which characters young and old grapple with childhood.
Hans-Jürgen Syberberg’s surreal film collage was a cause celebre when it reached the United States in 1980. It’s a fascinating contrast with current Holocaust dramas.