Tabitha Jackson sees an opportunity to develop the next generation of cinephiles at the Greenwich Village art-house cinema.
Category: Film Forum
-
From Sundance Director to Head of Film Forum
The New York Times – Business: -
From Sundance Director to Head of Film Forum
The New York Times – Business:Tabitha Jackson sees an opportunity to develop the next generation of cinephiles at the Greenwich Village art-house cinema.
-
‘Who Killed Santa Claus?’: The Night Before Christmas in Occupied France
This 1941 comic murder mystery is back for a week in a sparkling restoration at Film Forum.
-
‘Viridiana’ Was Luis Buñuel’s Revenge
The 1961 film, which was banned in Spain, has been restored and revived in a limited run at Film Forum.
-
‘An Officer and a Spy’ Review: The Dreyfus Affair as an Allegory
Six years after its French release, the movie is screening in New York. It’s the first Roman Polanski movie to open in the U.S. since 2014.
-
‘Who Killed Teddy Bear’: When 42nd Street Was the Deuce
Now refurbished in 4K, the 1965 movie returns to claim cult status at Film Forum.
-
Film Forum Director to Step Down
Sonya Chung, who assumed the role in 2023, is leaving after just over two years. No reason was given for her departure.
-
Film Forum Director to Step Down
Sonya Chung, who assumed the role in 2023, is leaving after just over two years. No reason was given for her departure.
-
‘Forbidden Games’: A War Orphan’s Sweet, Ultimately Shattering Story
Hailed on its release as the most troubling French film made in the aftermath of World War II, it returns for a week at Film Forum.
-
With ‘Él,’ Buñuel Turns His Gaze to Male Pathology
Luis Buñuel’s Mexican melodrama about a jealous husband who makes his young wife’s life a living hell opens at Film Forum.
-
‘Mr. Deeds Goes to Town’: Frank Capra’s Two-Fisted Santa
This 1936 comedy, starring Gary Cooper and showing for a week at Film Forum, turns the tables on the period’s metropolitan melodramas.
-
‘Il Grido’: Love and Loss in Italy’s Po River Valley
Long overshadowed by Michelangelo Antonioni’s later work, this feature, newly restored, is being revived at Film Forum, complete with once-censored scenes.
