Category: Film

  • Antwone Fisher, 2002, 117 minutes, Rated PG-13

    You are required to login to view this page.

  • Y Tu Mamá También, 2001, 105 minutes, Not Rated

    You are required to login to view this page.

  • Pinero, 2001, 103 minutes, Rated R

    You are required to login to view this page.

  • All About You, 2001, 90 minutes, Not Rated

    You are required to login to view this page.

  • Patrick S. Cunningham, CSA

    By Lisa R. Foeman

    An author’s ability to evoke divergent images of a character’s physical appearance

    and mannerisms in the mind of a reader is but one beauty of a book. The splendor of a

    script, however, lies in wait – for the able casting director to bring its characters

    alive through the proper selection of actors. With great aplomb, Patrick S. Cunningham,

    CSA confidently carries out this mission as evidenced by his assistance with casting on

    What’s Love Got To Do With It, Desperado, and Boomerang.

     

    PCunningham and Lisa Raye
    Courtesy P. Cunningham Patrick Cunningham strikes a pose with Lisa Raye

    Drawing upon his five years of professional experiences as a casting director for BET,Fox, Hollywood studios, and independent filmmakers, Cunningham explains, “the basic

    relationship in the business is the relationship that a casting director has to talent via

    agents and personal contacts.” But contacts alone are insufficient. States

    Cunningham, “if you have a good script, I can attract great talent.” The

    question is: what talent may be eliminated from the pool?

     

    While it is customary for producers and directors to establish guidelines for the casting

    director, certain white producers in the industry have “expressed sentiments that

    indicate a preference for skin tone,” according to Cunningham. Even with such

    restrictions, Cunningham insists that casting directors have tremendous leeway. He relates

    that although producers and directors wield tremendous power in the ultimate selection

    process, it’s the casting director who drives the decision-making process through the

    establishment of the selection pool.

     

    Are Black actors in Hollywood mainstream films a dying breed? If it appears so, Cunningham

    offers several suggestions to address the issue. First, Black directors and producers

    should insist on a Black casting director. In Cunningham’s opinion, a Black casting

    director can bring not only distinguished actors to the table, but also fresh faces.

    It’s the latter that increases the pool of Black actors for future films and removes

    the misperception on the part of White casting directors that there are only a few Black

    actors worthy of major film roles.

     

    The BET Arabesque line of films certainly was a showcase opportunity for new and established

    Black actors. As one of three casting directors for the ten films, Cunningham opines,

    “we basically hired more African-American actors in the last 12 months I think than

    anyone.” Certainly, BET should be applauded for undertaking the arduous task of

    producing and writing ten films in one year.

    As for Cunningham, avid movie watchers look forward to his continued role in giving life

    to a script’s characters.M

    June 2000

  • Future Sounds Bright For Local Man

    You are required to login to view this page.

  • Glory, 1989, 122 minutes, Rated R

    You are required to login to view this page.

  • Street Smart, 1987, 97 minutes, Rated R

    You are required to login to view this page.

  • Morgan’s Majesty

    You are required to login to view this page.