Though its stars are up for acting prizes, the film is not in the running for best musical or comedy, only for box office achievement.
Category: Linklater, Richard
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‘Nouvelle Vague’ Review: Richard Linklater Ode to ‘Breathless’
The American director moves his sights to Paris in 1959, when a young, cocky Jean-Luc Godard is hustling to make his first (now legendary) movie.
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When Hollywood Tries to Depict Broadway Genius, the Results Rarely Sing
The new Lorenz Hart biopic “Blue Moon” gets a lot right about the creation of musicals that a spate of 1940s films got wildly wrong.
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7 New Movies Our Critics Are Talking About This Week
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
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‘Blue Moon’ Review: Ethan Hawke Plays Lorenz Hart’s Tragic Tune
Ethan Hawke plays the legendary lyricist Lorenz Hart on a wistful one-night quest to save his soul.
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Last Year’s Cannes Winners Won Big at Oscars. Can the 2025 Crop Do the Same?
The most likely movies to grab academy voters are “Un Simple Accident,” “Sentimental Value” and “Nouvelle Vague.” But none are primarily in English.
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Cannes Film Festival Announces Lineup, Including Scarlett Johansson and Wes Anderson
A sidebar to the competition will feature Scarlett Johansson’s directorial debut.
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Wes Anderson and Richard Linklater to Compete at Cannes Film Festival
A sidebar to the competition will feature Scarlett Johansson’s directorial debut.
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Watch Glen Powell and Adria Arjona Fight and Flirt in ‘Hit Man’
The director Richard Linklater narrates a pivotal sequence from his rom-com thriller.
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‘Hit Man’ | Anatomy of a Scene
Richard Linklater, the director of “Hit Man,” narrates a pivotal sequence from his film, starring Glen Powell and Adria Arjona.
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Adria Arjona on ‘Hit Man’ and How the Production Surprised Her
The actress, who stars with Glen Powell, said that with the contract-killer movie, her ideas were finally valued in a writer’s room.
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The True Story Behind Glen Powell’s Character in ‘Hit Man’
The romantic shenanigans are the stuff of Hollywood, but the film’s fake contract killer is based on a real man profiled in a Texas Monthly article.