Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan Opera.
Category: Metropolitan Opera
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Review: A Composer’s ‘Lear’ Freshens a Shakespeare Evening
The Met Orchestra’s season-ending concert at Carnegie Hall featured the premiere of Matthew Aucoin’s “Heath (‘King Lear’ Sketches).”
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It’s the End of an Era at the Metropolitan Opera
As the 2022-23 season ends, the country’s largest performing arts institution looks ahead to a future of fewer titles.
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Kaija Saariaho, Pathbreaking Composer, Is Dead at 70
She brought new colors to modernist music, sometimes using electronics, and became the first female living composer to have two operas staged by the Met.
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Review: Tomasz Konieczny Returns to the Met Opera in ‘Dutchman’
After a triumphant house debut in 2019, the bass-baritone Tomasz Konieczny brought power and clarity to the title role in “The Flying Dutchman.”
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The Conductor Thomas Guggeis Is Rising Fast After a Surprise Debut
Not yet 30, Guggeis already leads a major opera house and has conducted the “Ring” in Berlin. Next up: his arrival at the Metropolitan Opera.
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‘Magic Flute’ Review: Trickery and Delight in Mozart at the Met
Unveiling the trickery only enhances the delight of this interpretation of Mozart by the director Simon McBurney.
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This ‘Magic Flute’ Has Ringtones, Bird Tracks and a Foley Artist
The director Simon McBurney creates a magical sound world in his theatrical production of Mozart’s classic at the Metropolitan Opera.
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Grace Bumbry, Barrier-Shattering Opera Diva, Is Dead at 86
A flamboyant mezzo-soprano (who could also sing meaty soprano roles), she overcame racial prejudice to become one of opera’s first, and biggest, Black stars.
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Review: At the Met, a New ‘Don Giovanni’ Has a Stark Vitality
An excellent cast brings heat to Ivo van Hove’s austere, agile staging of Mozart’s classic, starring Peter Mattei and conducted by Nathalie Stutzmann.
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A Drone Opera, Brought to You by General Dynamics? A Company Clarifies.
“Grounded,” a new work about the psychological toll of drone warfare, drew scrutiny after its presenter, Washington National Opera, advertised the support of a major military contractor.