“Being Maria” uses the actress’s own words to show how the star’s frank discussion of the experience was an early salvo in the #MeToo movement.
Category: Movies
-
‘Being Maria’ Review: The Muse’s Side of the Story
Starring Anamaria Vartolomei and Matt Dillon, this French drama chronicles the life of the actress Maria Schneider after her traumatic experience on the set of “Last Tango in Paris.”
-
Hamdan Ballal, Palestinian Director of ‘No Other Land,’ Is Attacked in West Bank, Witnesses Say
Hamdan Ballal was assaulted by masked attackers in his home village in the Israeli-occupied West Bank, witnesses said. The Israeli military said he had been detained for questioning.
-
Disney’s ‘Snow White’ Has a Sleepy Box Office Start
The polarizing remake was expected to collect $45 million, a weak result compared with openings for similar Disney films.
-
Sasha Stone, an Original Oscars Blogger, Takes on Hollywood
Sasha Stone, who has been covering awards season since the ’90s, has recast herself as a voice against what she perceives as the industry’s liberal status quo.
-
Netflix’s ‘Electric State’ Is No Hit, but the Streamer Doesn’t Mind
The film’s struggles have elicited no more than a shrug inside the company, demonstrating how different Netflix is from traditional studios.
-
Five Free Movies to Stream Now
In films like “First Cow” and “Red Rocket” on Tubi, Plex and PlutoTV, you’ll see the arc of a country that bends from opportunity to opportunism.
-
Five Action Movies to Stream Now
This month’s picks include dead-serious assassins, replicant Keystone Kops, long-simmering revenge and more than one variety of stuffed bear.
-
In Wes Anderson’s World, It’s All About the Details
A museum exhibition shows how thousands of small decisions add up to make the director’s signature style.
-
How ‘Severance’ Uses Old Tricks to Make Its Office Hell
Clocks, elevators and cubicles become dystopian signifiers in the television show, which invokes and inverts workplace cinema.
-
‘Misericordia’ Review: Danger Always Hides in the Bushes
The French director Alain Guiraudie’s latest film, a bent kind of murder mystery, presents life at its basest and gamiest.