This Thailand-set vacation thriller is neither silly nor gory enough to chum the waters for audiences at home.
Category: Movies
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‘The Devil’s Mouth’ Review: Between a Shark and a Hard Place
The New York Times – Movies: -
‘Spider-Man: Brand New Day’ Review: Can We Do Whatever a Spider Can?
The New York Times – Movies:The Spider-Man series is about growing up. Now its superhero has become an adult.
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‘Spider-Man: Brand New Day’ Review: Can We Do Whatever a Spider Can?
The New York Times – Movies:The Spider-Man series is about growing up. Now its superhero has become an adult.
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Auteur-core! 9 Great Songs That Reference Filmmakers
The New York Times – Music:Hear cinephile tracks from Charli XCX, David Bowie, SZA and more.
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Auteur-core! 9 Great Songs That Reference Filmmakers
The New York Times – Music:Hear cinephile tracks from Charli XCX, David Bowie, SZA and more.
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Cinephiles Trek to NYC’s AMC Lincoln Square to See ‘Odyssey’ in IMAX 70-mm. at 2 a.m.
The New York Times – Fashion & Style:Demand is high for the blockbuster at the IMAX 70-mm. theater in New York City, the largest in the United States, prompting additional screenings at 2 and 6 a.m. That hasn’t deterred audiences from coming.
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Cinephiles Trek to NYC’s AMC Lincoln Square to See ‘Odyssey’ in IMAX 70-mm. at 2 a.m.
The New York Times – Fashion & Style:Demand is high for the blockbuster at the IMAX 70-mm. theater in New York City, the largest in the United States, prompting additional screenings at 2 and 6 a.m. That hasn’t deterred audiences from coming.
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Christopher Nolan’s ‘Odyssey’ Has a Circe Problem
The New York Times – Movies:One of the fascinating women of early literature, Circe becomes a simple witch in Christopher Nolan’s blockbuster.
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Christopher Nolan’s ‘Odyssey’ Has a Circe Problem
The New York Times – Movies:One of the fascinating women of early literature, Circe becomes a simple witch in Christopher Nolan’s blockbuster.
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The Haunting Music in the ‘Odyssey’ Siren Scene Has Ancient Roots
The New York Times – Music:Ludwig Göransson’s soundtrack for Christopher Nolan’s film resurrects an ancient instrument, the aulos, to evoke the tormenting allure of the sirens.