A fraying animator becomes the victim of her own creations in this visually sophisticated horror movie.
Category: Movies
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‘The Invisible Fight’ Review: Iron Fist vs. Iron Curtain
This action comedy set in the 1970s satisfyingly blends kung fu, heavy metal and Orthodox Christianity.
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Jennifer Lopez and ‘This Is Me … Now’: Is She for Real?
“This Is Me … Now: A Love Story,” a movie built on her latest album, is a showcase for the exhausting, never-ending, hazardous work of being Jennifer Lopez.
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‘They Shot the Piano Player’ Review: Taking on a Bossa Nova Mystery
The pianist Francisco Tenório Júnior, on tour in Argentina during the right-wing dictatorship of the 1970s, vanished. This animated feature picks up the trail.
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‘Ordinary Angels’ Review: A Hairdresser Turns Lifesaver
When a 5-year-old girl’s life is in danger if she doesn’t get surgery urgently, help arrives from unexpected places.
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‘Drive-Away Dolls’ Review: A Mirthless Joyride
Directing without his brother, Ethan Coen brings the usual mix of highbrow references and petty crimes, but this road movie just stalls out.
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Review: ‘Demon Slayer: Kimetsu no Yaiba — To the Hashira Training’
The popular anime returns to the big screen in a somewhat lopsided feature presentation of two stand-alone episodes from the TV series.
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Star Directors Buy Historic Village Theater in Los Angeles
Concerned about the future of moviegoing in the filmmaking capital, Jason Reitman and a group of distinguished directors purchased the historic Village Theater in Westwood.
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Interview: Timothée Chalamet and Denis Villeneuve on the ‘Dune’ Films
With “Part Two” hitting theaters, they discuss another potential sequel, the impossible quest for onscreen perfection and those infamous popcorn buckets.
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A Film Festival in the Back of a Taxi
The TaxiFilmFest is partly a protest over the miserable state of Berlin’s taxi industry. But it’s also a celebration of the cab’s iconic place in the urban cultural landscape.
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Sandra Hüller, Uneasy in the Spotlight
A best actress nomination changes everything — Sandra Hüller knows that. She just isn’t sure that’s a good thing.