Rob Marshall narrates the “Under the Sea” sequence from his film, featuring Halle Bailey and Daveed Diggs.
Category: Movies
-
Predawn Picket Lines Help Writers Disrupt Studio Productions
Workers from other unions have shown solidarity with the strikers, catching entertainment companies off guard.
-
Quentin Tarantino Teases Final Movie at Cannes Film Festival
He played coy about the forthcoming “The Movie Critic” in a wide-ranging chat but may have dropped one major hint.
-
‘You Hurt My Feelings’ Review: She Can’t Handle the Truth
The director Nicole Holofcener’s characters are known for their brazen honesty. But it’s dishonesty that drives her new film, starring Julia Louis-Dreyfus.
-
At a Particularly Strong Cannes Film Festival, Women’s Desires Pull Focus
New dramas by Catherine Breillat and Todd Haynes examine relationships between older women and teenage boys in different yet equally complex ways.
-
‘The Wind & the Reckoning’ Review: A Hawaiian Story of Resistance
A docudrama follows a family fighting to stay together and avoid exile to a leprosy colony, but fails to carry an emotional punch.
-
‘We Might as Well Be Dead’ Review: Housing by Neighborhood Watch
A single mother fights for her place in a dystopian high rise in this unfocused satire.
-
‘Will-o’-the-Wisp’ Review: A Prince Throws Off His Privilege
Or, at least, he kinda-sorta tries to rebel in this romantic, futuristic fable from the Portuguese director João Pedro Rodrigues.
-
‘Unclenching the Fists’ Review: A Moody Russian Drama
Kira Kovalenko’s moody drama centers on a young woman trapped under her father’s thumb in the North Caucasus region of Russia.
-
‘Kandahar’ Review: Marooned in a Dull Movie
Gerard Butler plays an undercover C.I.A. agent hunted by various foes in an underwhelming action film devoid of any suspense or, well, action.
-
‘The Wrath of Becky’ Review: Teenage Riot
The traumatized teen is back to finalize even more fascists in this comically bloody sequel.
-
‘About My Father’ Review: Robert De Niro in Dad Mode Again
The comedian Sebastian Maniscalco enlists his “Irishman” colleague in this labored comedy, where gags fall flat.
