Category: Movies

‘Candy Land’ Review: Truck-Stop Thrills

The New York Times – Movies:
In this sleazy slasher by the writer and director John Swab, a group of sex workers adopts a former member of a religious cult.
‘The Old Way’ Review: Mild Mild West

The New York Times – Movies:
Nicolas Cage phones it in as a deadly, taciturn gunslinger in this middling western.
‘Alcarràs’ Review: Labor of Love

The New York Times – Movies:
In this naturalistic drama from Spain, a family confronts the impending loss of its generations-old farm.
‘Mars One’ Review: Hope on the Horizon

The New York Times – Movies:
This film from Gabriel Martins follows the dreams of a Black Brazilian family living on the outskirts of Belo Horizonte.
‘The Subtle Art of Not Giving a #@%!’ Review: A Blunt Philosophy

The New York Times – Movies:
The writer Mark Manson is an onscreen guide in this visualization of his self-help book.
‘The Wounded Man’: Dark Night, Lost Soul

The New York Times – Movies:
In its unflinching depiction of a French teenager’s violent gay awakening, this 1983 film is among Patrice Chéreau’s most confrontational works.
Will These Be the 10 Best Picture Oscar Nominees?

The New York Times – Movies:
Now that critics’ laurels and box office results are in, the race for the top honor is clearer. But there’s still room for an outside contender to slip in.
Teen Stars of ‘Romeo and Juliet’ Sue Over Nudity in 1968 Film

The New York Times – Movies:
Olivia Hussey and Leonard Whiting assert in a lawsuit that Paramount Pictures should have known nude images of them in their teens were “secretly and unlawfully obtained.”
When the Camera Can’t Turn Away, These Women Force Us to Listen

The New York Times – Movies:
Films as different as the biopic “Till” and the thriller “Resurrection” use lengthy monologues to give female characters the chance to truly be heard.
Meet the Newer, Bolder Michelle Williams

The New York Times – Movies:
With “The Fabelmans,” the Oscar-nominated actress moves from minor-key naturalism to more stylized performances: “I wanted to make work that an audience member had to deal with.”
For ‘Guillermo del Toro’s Pinocchio,’ a Star Built From Tiny Gears and 3-D Printing

The New York Times – Movies:
The studio behind stop-motion hits like ‘Coraline’ and ‘Fantastic Mr. Fox’ started work on the new film in 2008 but had to wait for the technology to catch up.
Diego Calva and the Detour That Took Him to ‘Babylon’

The New York Times – Movies:
The star of Damien Chazelle’s epic was set on becoming a writer-director. Even after landing a part in an indie film, he wasn’t sold on acting. Then Hollywood called.