The parody musician makes a joke of his own life, with the help of Daniel Radcliffe, in this uproarious sham biopic.
Category: Movies
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‘Causeway’ Review: Companions on a Hard Road to Recovery
Superb acting from Jennifer Lawrence and Brian Tyree Henry brings credibility to an underdeveloped story of trauma and friendship.
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‘Utama’ Review: This Bitter Earth
In Bolivia’s official submission to the next Oscars, an old Quechua couple struggle to find water to sustain them, their crops and llamas.
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‘Bardo, False Chronicle of a Handful of Truths’ Review: It’s a Stressful Afterlife
In Alejandro G. Iñárritu’s sprawling, intensely personal new film, a prominent journalist grapples with work, family, metaphysics and the paradoxes of Mexican history.
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John David Washington Gets an Education in ‘The Piano Lesson’
The actor adds to his body of knowledge with a starry production of the August Wilson play and a once-in-a-lifetime moment with Robert De Niro on “Amsterdam.”
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‘Soft & Quiet’ Review: Far-Right Ladies Night
This distressingly immersive horror film by Beth de Araújo traces a group of white supremacist women in real time.
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Winter Movies 2022: Here’s What’s Coming Soon to Streaming and Theaters
The season’s gifts include long-awaited sequels to “Black Panther” and “Knives Out” and intriguing originals like “Women Talking” and “The Fabelmans.”
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Don Cheadle, Lindsay Lohan and Other Stars Share Their Favorite Holiday Movies
Don Cheadle, Hong Chau, Leslie Odom Jr., Zoey Deutch and Lindsay Lohan explain what films they turn to at this time of year.
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‘Something in the Dirt’ Review: The Truth Is Over There, by the Sofa
Two likable losers fall into conspiratorial rabbit holes while filming the strange goings-on in their apartment building.
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Review: In ‘You Resemble Me,’ a Maladjusted Girl Is Interrupted
Dina Amer’s film uses empathetic, if simplistic, fictions to try to make sense of the complicated real life of a young Moroccan-French woman drawn to ISIS.
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‘Nocebo’ Review: A Troubled Home and a Sick Mother
A new horror starring Eva Green has a point to make about economic exploitation but lacks a sense of surprise.