A high school junior talks to dead people in this familiar but good-natured tale of adolescent female friendship.
Category: Movies
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‘Darby and the Dead’ Review: Sixteen With a Sixth Sense
The New York Times – Movies: -
‘Return to Seoul’ Review: Found in Translation
The New York Times – Movies:On a whim, a Frenchwoman goes to visit South Korea, the country of her birth, in Davy Chou’s drama.
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The Real Story of ‘Cocaine Bear’
The New York Times – Movies:Nearly 40 years after a 175-pound black bear found and ingested cocaine in a Georgia forest, the drug binge has inspired a movie.
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‘Lady Chatterley’s Lover’ Review: When Connie Met Ollie
The New York Times – Movies:The new Netflix adaptation of D.H. Lawrence’s once-controversial novel is both steamy and decorous.
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‘Farha’ Review: A Most Brutal Coming-of-Age Story
The New York Times – Movies:Set in the early days of the Israeli-Palestinian conflict, this drama depicts the upheaval of Palestinian society from a 14-year-old girl’s perspective.
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‘Scrooge: A Christmas Carol’ Review: Slightly Off Key
The New York Times – Movies:Luke Evans, Olivia Colman and Jessie Buckley lend their voices to this animated musical of the holiday classic.
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We’re Out of Movie Stars. Whose Fault Is That?
The New York Times – Movies:There are fewer films now that allow an actor to grow a persona and a Tom Cruise level of stardom. It’s a crisis, and the movies know it.
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‘Spoiler Alert’ Review: Perfect Strangers Form Family Ties
The New York Times – Movies:Jim Parsons and Ben Aldridge star in this tear-jerker romance adapted from the memoir by the television journalist Michael Ausiello.
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‘Violent Night’ Review: Yucks, Not Yule
The New York Times – Movies:Tommy Wirkola’s film tries to pass off sadism as comedy.
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‘What Remains’ Review: Murder Thriller Without the Thrills
The New York Times – Movies:This film about a small-town pastor hoping to mentor his wife’s killer includes one of the final performances from Anne Heche.
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‘Hunt’ Review: Spy vs. Spy vs. Subplots
The New York Times – Movies:A dense espionage narrative proves all too tangled in this directorial debut from the South Korean actor Lee Jung-jae.
