Frank Dillane, starring as a recovering addict in London, elevates this character study, Harris Dickinson’s feature directing debut.
Category: Movies
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‘Tron: Ares’ Review: Who Needs Logic When You Have Neon?
The third “Tron” movie continues the saga begun over four decades ago, and now, the programs are in our world.
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‘Tron: Ares’ Review: Who Needs Logic When You Have Neon?
The third “Tron” movie continues the saga begun over four decades ago, and now, the programs are in our world.
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‘Soul on Fire’ Review: After Near Death, Rebuilding a Life
This adaptation of an autobiographical book by John O’Leary manages to be affecting despite its overly sentimental moments.
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‘Roofman’ Review: Robbing McDonald’s, Stealing Hearts
Channing Tatum plays a spree-robber on the lam in Derek Cianfrance’s movie that can’t decide whether to celebrate his antics or denounce them.
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‘Kiss of the Spider Woman’ Review: Play Their Favorite Song
Jennifer Lopez comes up just a little short in a movie about the escapist power of musicals.
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‘If I Had Legs I’d Kick You’ Review: Maternal Duress
Rose Byrne is magnificent as an overwhelmed mother in this wrenching, spiky drama.
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‘Mr. K’ Review: ‘The Hotel Is Shrinking!’
Crispin Glover stars as a mild-mannered magician trapped in a twisted hotel in this offbeat, darkly surreal comedy.
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Glenn Close on ‘Sunset Boulevard,’ ‘Fatal Attraction’ and Her Storied Career
For half a century, she’s brought her singular talents to the stage and screen. Now, the actress wants one more shot at the role that helped make her a star.
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Tessa Thompson on Playing ‘Hedda’— and Finding What You Really Want
In Thompson’s latest film, she plays an unhappy housewife who blows up her life. In reality, the actor and producer has left relationships with much less fallout.
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The Strangely Beautiful Realities You Can Discover in a Ken Jacobs Film
The avant-garde director, who died Sunday, changed our ideas of what cinema was and could be while showing us the old, lost New York.
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Ken Jacobs, Visionary of Avant-Garde Film, Is Dead at 92
Using found footage and toying with dimensions (2-D could seem like dazzling 3-D), he sought to explode cinema’s traditional boundaries.