Kate Soper’s tender, whimsical “Orpheus Orchestra Opus Onus,” a tribute to the orchestra, had its premiere on Thursday with its composer as soloist.
Category: Classical Music
-
Santa Fe Opera Continues to Draw Performers From Across the Globe
Nearly 70 years old, the Santa Fe Opera and its summer season draw singers, directors, designers, conductors and apprentices from across the globe.
-
The Soprano Sonya Yoncheva Has Many Roles, On and Off the Stage
Sonya Yoncheva discusses her turn as Lisa in “The Queen of Spades” at the Metropolitan Opera, her summer concerts, her production company and more.
-
Review: New York Philharmonic, Renée Fleming and a Sub Conductor
Brett Mitchell led the New York Philharmonic in the local premiere of a song cycle by Kevin Puts, featuring the soprano Renée Fleming.
-
Michael Flynn, a Trump Ally, Sponsors Beethoven at the Kennedy Center
Following the president’s overhaul of the center, Mr. Flynn, the former national security adviser, has made a substantial gift to the National Symphony Orchestra.
-
John Adams’s ‘Antony and Cleopatra’ Sags at the Metropolitan Opera
John Adams’s Shakespeare adaptation has been trimmed since its premiere, but still struggles with setting a flood of dense Elizabethan verse.
-
The Frick’s Gift to New York: A Superb New Concert Hall
There’s a crackling aliveness to music in the 220-seat, subterranean yet airy auditorium, which was put through its paces in a burst of six concerts.
-
La Scala Taps South Korean Maestro Myung-whun Chung as Music Director
Myung-whun Chung will be the first Asian, and one of the first conductors born outside Italy, to serve as music director in the opera house’s 247-year history.
-
The Inspirations Behind the Met Opera’s ‘Antony and Cleopatra’
The inspirations behind the staging of “Antony and Cleopatra,” which imagines a world in which celebrities can be tantamount to gods.
-
The Classical Music Our Critics Can’t Stop Thinking About
Watch and listen to five recent highlights, including Metropolitan Opera performances, the posthorn solo in Mahler’s Third and music by Tomeka Reid.
-
Pierre Audi, Eminent Force in the Performing Arts, Dies at 67
After turning a derelict lecture hall into the daring Almeida Theater, he had a long career as a director and impresario in Europe and New York.
