Nuestro matrimonio a larga distancia era difícil de sostener… y difícil de terminar.
Category: Classical Music
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Review: Thomas Adès Meets the Profound Beauty of Schubert
The Danish String Quartet returned to Carnegie Hall with its Doppelgänger project, pairing Schubert’s String Quintet and a premiere by Adès.
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Philharmonic Opens Inquiry After Misconduct Allegations Are Revived
The New York Philharmonic commissioned an outside investigation into its culture after a magazine article explored how it handled an accusation of sexual assault in 2010.
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Jorie Graham’s Poetry of the Earth and Humanity, Set to Music
The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”
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A Pathbreaking Singer Arrives at the Met, With Pearls and Tattoos
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
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Philharmonic Sidelines 2 Players It Tried to Fire for Misconduct
The New York Philharmonic said the musicians would not perform for now, after a magazine article brought new attention to allegations of misconduct. They have denied wrongdoing.
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Review: Under Manfred Honeck, the Philharmonic Becomes One
In a program of Tchaikovsky and Rachmaninoff, a guest conductor coaxes a sumptuous sincerity from the orchestra’s musicians.
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At Carnegie Hall, Weimar Is Irresistible but Vaguely Defined
Carnegie’s intermittently illuminating festival “Fall of the Weimar Republic” has suffered from interjections of too much standard repertory.
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A ‘Missionary for Opera’ Steps Down in Chicago
Anthony Freud is leaving Lyric Opera of Chicago on good terms, though the company faces challenges in a strained environment for the performing arts.
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The Phone That Tore Us Apart
Our long-distance marriage was hard to sustain — and hard to end.
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‘Fire Shut Up in My Bones’ Review: A Met Milestone Returns
After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with its showstopping step dance.
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Vladimir Jurowski Believes That No Artist Can Be Apolitical
At Munich’s prestigious opera house, the Russian-born Vladimir Jurowski has broadened the repertoire while rooting his work in political awareness.
