Carnegie’s intermittently illuminating festival “Fall of the Weimar Republic” has suffered from interjections of too much standard repertory.
Category: Classical Music
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A ‘Missionary for Opera’ Steps Down in Chicago
Anthony Freud is leaving Lyric Opera of Chicago on good terms, though the company faces challenges in a strained environment for the performing arts.
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The Phone That Tore Us Apart
Our long-distance marriage was hard to sustain — and hard to end.
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‘Fire Shut Up in My Bones’ Review: A Met Milestone Returns
After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with its showstopping step dance.
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Vladimir Jurowski Believes That No Artist Can Be Apolitical
At Munich’s prestigious opera house, the Russian-born Vladimir Jurowski has broadened the repertoire while rooting his work in political awareness.
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The Era of Klaus Mäkelä, Conducting Phenom, Begins in Chicago
On Thursday, the richly talented 28-year-old maestro led the Chicago Symphony Orchestra for the first time since being named its next music director.
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Review: A Conductor’s Philharmonic Debut Is a Homecoming
Karina Canellakis, a born-and-raised New Yorker, led her hometown orchestra alongside another debut, of the pianist Alice Sara Ott.
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Met Opera Chooses Tilman Michael as Next Chorus Master
Tilman Michael, who leads the Frankfurt Opera’s chorus, will succeed the veteran conductor Donald Palumbo, who steps down this season after 17 years.
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She’s Shaking Up Classical Music While Confronting Illness
The pianist Alice Sara Ott, who makes her New York Philharmonic debut this week, is upending concert culture — and defying stereotypes about multiple sclerosis.
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Klaus Mäkelä to Lead Chicago Symphony Orchestra
He will be the youngest music director in the orchestra’s 133-year history, and one of the youngest ever to lead a top American ensemble.
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How Many Easters Remain for This Century-Old Boys’ Choir School?
St. Thomas Church in New York is considering closing its renowned boarding school for choristers, one of only a few in the world, because of financial woes.
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Holst’s ‘The Planets’ Was a Hit, and a Team Effort
Gustav Holst composed “The Planets” with crucial help from others. Firsthand accounts and the score reflect how collaborative its creation was.
