Costanzo will be a rare figure in classical music: an artist in his prime who is also working as an administrator.
Category: Music
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The Culture Desk: Alicia Keys on Reimagining “Fallin” for Broadway
The singer talks about finding a new home for her first hit.
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Yunchan Lim’s Chopin, and Other Classical Albums to Hear Now
Yunchan Lim’s collection of Chopin piano études, a new recording of Terry Riley’s “In C” and works by Marc-André Hamelin are among the highlights.
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‘Unsung Hero’ Review: Music Dedicated to the One They Love
In fact, there’s a lot of singing in the clan whose members inspired this movie and who have racked up five Grammy Awards for their Christian recordings.
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At SFMOMA, Music is More than Just Sound
SFMOMA explores the galaxy of visual and technological design that has long revolved around the music we love.
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Review: John Adams’s ‘El Niño’ Arrives at the Met in Lush Glory
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
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Cristian Macelaru, Decorated Maestro, to Lead Cincinnati Symphony
He will begin a four-year term as the orchestra’s music director in the 2025-26 season, succeeding Louis Langrée.
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Peter Gordon, Music’s Mr. Adjacent, Is Starting His Own Record Label
Peter Gordon, who studied with Terry Riley, has always made music that is surprising but accessible. Now he’s starting his own record label.
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Review: Children Sing of Resistance at the Philharmonic
Olga Neuwirth’s “Keyframes for a Hippogriff,” a chaotic explosion of postmodernism, had its American premiere, conducted by Thomas Sondergard.
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‘Hell’s Kitchen’ Review: Alicia Keys’s Musical Finds Its Groove on Broadway
The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.
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El teléfono que nos separó
Nuestro matrimonio a larga distancia era difícil de sostener… y difícil de terminar.
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‘Stereophonic’ Review: Hitmakers Rendered in Sublime Detail
In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.