Able to convey the pathos of operatic heroines with her pure, expressive tone, she was also involved in prickly disputes with some directors and conductors.
Category: Opera
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Ileana Cotrubas, Sensitive Soprano Known for ‘Traviata,’ Dies at 87
The New York Times – Music: -
Tara Erraught Makes Role Debut in “Il viaggio a Reims” at the Salzburg Festival
The New York Times – Music:The opera singer made her role debut as the hotel host in “Il viaggio a Reims” at this year’s Salzburg Festival.
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Philippe Sly Is Living With Monks Ahead of Playing St. Francis at the Salzburg Festival
The New York Times – Music:Philippe Sly felt he needed an immersion course to portray St. Francis in the new Salzburg Festival production of “St. François d’Assise.”
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Stefan Zweig’s Former Home, Paschinger Schlössl, Is Again For Sale in Salzburg
The New York Times – Music:The former home of Stefan Zweig, the Jewish Austrian writer, is unexpectedly for sale.
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With ‘The Galloping Cure’ in Edinburgh, Missy Mazzoli Tackles the Opioid Crisis
The New York Times – Music:The composer Missy Mazzoli, driven by personal loss, has turned America’s overdose epidemic into a dark, fantastical allegory.
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Their Forefather Was a Grocer and Mozart’s Most Important Librettist
The New York Times – Music:Generations on, Lorenzo Da Ponte’s family keeps alive the memory of this poet and libertine, who ended up in the middle of Pennsylvania after being booted from Venice and Vienna.
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‘Lili Elbe,’ Opera About Trans Heroine of ‘The Danish Girl,’ Is Timely
The New York Times – Music:Lili Elbe’s story was told in “The Danish Girl.” Now Tobias Picker’s opera about her life, with a trans opera singer in the lead role, is making its U.S. premiere.
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‘Lili Elbe,’ Opera About Trans Heroine of ‘The Danish Girl,’ Is Timely
The New York Times – Music:Lili Elbe’s story was told in “The Danish Girl.” Now Tobias Picker’s opera about her life, with a trans opera singer in the lead role, is making its U.S. premiere.
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Review: A Soprano’s Sound Floods the Met in ‘Ariadne’
Lise Davidsen unleashed rare grandeur of tone throughout her range in the title role of Strauss’s opera.
