While “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” are likely to do well, the directors race is hardly set and other categories are open, too.
Category: Scorsese, Martin
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Paul Giamatti, Bradley Cooper, Da’Vine Joy Randolph and More Celebrities at the National Board of Review gala
The stars were among the 17 honorees at the annual National Board of Review gala, as awards season ramps up.
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The Grim Heartbeat Propelling ‘Killers of the Flower Moon’
In a short but fast-moving sequence built around a children’s primer, Martin Scorsese lays out all the themes of this terrible true-crime tale.
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In Osage Communities, a Divided Reaction to ‘Killers of the Flower Moon’
The filmmakers’ attention to detail draws praise, but the question of perspective and who gets to tell the story is also at issue.
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What to Read After Watching ‘Killers of the Flower Moon’
Now that the Scorsese epic is on demand, you can catch up with the drama from home, then go down a rabbit hole with our guides.
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Martin Scorsese’s Unwise Guys
From Travis Bickle to the protagonist of “Killers of the Flower Moon,” the director has excelled at depicting a certain kind of male antihero.
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Netflix’s Shuttered DVD Service by the Numbers
For a singular marathon of the filmmaker’s work, the discs were vital amid lockdown. A look at the newly shuttered service and how other renters used it.
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Leonardo DiCaprio Plays Dim in ‘Killers of the Flower Moon’
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
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Popcast (Deluxe): Britney Spears Tells … Some?
A conversation about the week in popular culture, including “The Woman in Me,” the new book by Spears, and “Killers of the Flower Moon,” Martin Scorsese’s latest film.
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Strong First Weekend for ‘Killers,’ but Taylor Swift Was Still No. 1
The Scorsese film’s estimated $23 million in the North American box office was a special feat considering its length and the lack of promotion by its actors.
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From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.