Artists from different cultural traditions adapted an ancient tale to explore how to respond to betrayal and exploitation.
Category: Sellars, Peter
-
Peter Sellars Is Still Living His Life Through Art
The director, one of the most influential in opera, is staging new productions in New York, France and Austria this summer.
-
Review: John Adams’s ‘El Niño’ Arrives at the Met in Lush Glory
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
-
Lileana Blain-Cruz Directs ‘El Niño’ For Her Met Opera Debut
In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.
-
Jorie Graham’s Poetry of the Earth and Humanity, Set to Music
The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”
-
A Pathbreaking Singer Arrives at the Met, With Pearls and Tattoos
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
-
When Henry Kissinger Became a Character in an Opera
In 1987, “Nixon in China” meditated on what was then recent history, depicting Kissinger as a smooth diplomat with a brutal side.
-
Review: Kaija Saariaho’s ‘Adriana Mater,’ After Her Death
The conductor Esa-Pekka Salonen and the director Peter Sellars, two Saariaho collaborators, brought “Adriana Mater” to the San Francisco Symphony.