An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
An operatic Vivaldi pastiche, with a new story by Sarah Ruhl, offers an ambivalent message about how art can make people pay attention.
Tanowitz’s new dance, made with the painter Sarah Crowner and the composer Caroline Shaw, premieres at the Fisher Center at Bard College.
Zack Winokur, an ambitious dancer-turned-director, now has a New York stage to call his own as the park’s artistic leader.