He was a blast to watch, whether playing a mad scientist in “The Rocky Horror Picture Show,” a butler in “Clue” or a singing King Arthur in “Spamalot.”
Category: Theater (Broadway)
-
As a Storyteller, Tim Curry Had the Gift
The New York Times – Movies: -
Rupert Grint Will Join ‘Harry Potter’ Again, This Time on Broadway
The New York Times – Movies:The British actor, who played Ron Weasley in all eight films, will play the same character, this time as an adult, in “Harry Potter and the Cursed Child.”
-
Dolly Parton Wanted to Share Her Story on Broadway. She Still Will.
The New York Times – Music:“Dolly: A True Original Musical” is scheduled to begin previews in December after a strong-selling production in Nashville last year.
-
How ‘Rocky Horror’ Dreamed Up a Mad Scientist’s World
The New York Times – Movies:The designers kept in mind the slapdash seediness that has been embedded in the musical’s DNA ever since it started in 1973 at the Royal Court Theater in London.
-
Ari Emanuel’s Company to Acquire 7 Broadway Theaters and 10 in the West End
The New York Times – Business:The purchase of ATG Entertainment, which operates dozens of venues worldwide, will require regulatory approval.
-
‘Purple Rain,’ Packed With Prince Songs, Plans Broadway Opening
The New York Times – Music:The musical, set to begin previews next March, is an adaptation of the 1984 film about a musician whose talent is threatened by tumult at home and at the club.
-
‘Purple Rain,’ Packed With Prince Songs, Plans Broadway Opening
The New York Times – Music:The musical, set to begin previews next March, is an adaptation of the 1984 film about a musician whose talent is threatened by tumult at home and at the club.
-
‘Hadestown: The Musical’ Review: A Theatrical Triumph, Onscreen
The New York Times – Movies:The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score.
-
‘Hadestown: The Musical’ Review: A Theatrical Triumph, Onscreen
The New York Times – Movies:The director Brett Sullivan gives viewers the best seat in the house, with delicate camerawork that moves with the rhythms of Anaïs Mitchell’s soulful score.
