A Monteverdi masterpiece and a new work by George Lewis are played simultaneously in an American Modern Opera Company production at Lincoln Center.
Category: Tines, Davone
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Review: ‘Robeson’ Illuminates a Titanic Artist and Activist
Davóne Tines plays Paul Robeson in a solo show on Little Island that weaves together the words and music of this American hero to tell his story.
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Review: John Adams’s ‘El Niño’ Arrives at the Met in Lush Glory
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
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A Pathbreaking Singer Arrives at the Met, With Pearls and Tattoos
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
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‘As Living as Opera Can Get’: John Cage’s Anarchic Anti-Canon
In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.
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Review: The New York Philharmonic’s ‘St. Matthew Passion’ Is a Surprising Achievement
The New York Times – Music:Jaap van Zweden is not known for Bach. But the “St. Matthew Passion” made for one of his finest New York Philharmonic concerts this season.
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The Breakout Stars of 2022
The New York Times – Music:Here are the actors, pop stars, dancers and artists who broke away from the pack this year, delighting us and making us think.
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Review: Davóne Tines Hones the Recital Form to a Fine Point
The New York Times – Music:This bass-baritone made his Carnegie Hall debut with his carefully curated, personal “Recital No. 1: MASS.”
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Review: Musicians of Color Reclaim Control in a White Space
The New York Times – Music:In “Everything Rises,” the violinist Jennifer Koh and the bass-baritone Davóne Tines recount their complicated relationships with classical music.