The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.
Author: MOSAEC
From The New Yorker
Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”
The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.
From The New Yorker