From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence

From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence

The New York Times - Movies:

The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.

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