From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence

From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence

The New York Times - Movies:

The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.

Jason Bailey
Author: Jason Bailey

This post first appeared in The New York Times - Movies. Read the original article.