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How Ozu Created His Own Cinematic Language

The greatest filmmaker of postwar Japan found a new way to show life onscreen.

Dana Stevens
Author: Dana Stevens

Written by

Dana Stevens

in

cultureissue2025, Early Summer (Movie), Japan, Jarmusch, Jim, Movies, Ozu, Yasujiro, Tokyo Story (Movie)
←Monsters Plague Japan. But What Do They Mean?
How Japanese Engineering Transformed Pop Music→

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