The director of “The History of Concrete” discusses the value of comedy, NIMBYs, and making films out of both found moments and the rules that govern the Hallmark Channel.
Author: MOSAEC
From The New Yorker
The director of “The History of Concrete” discusses the value of comedy, NIMBYs, and making films out of both found moments and the rules that govern the Hallmark Channel.
From The New Yorker