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  • Alissa Wilkinson

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‘Art for Everybody’ Review: The Hidden Life of the ‘Painter of Light’

Thomas Kinkade turned himself into a ubiquitous brand — but there was more to him than that, a new documentary shows.

In ‘Meanwhile,’ a Nation Remembers to Breathe

The director Catherine Gund fuses work from multiple artists with archival footage and interviews to craft an exploration of Black resilience.

‘An Unfinished Film’ Review: When Reality Interrupts Art

A drama full of unconventional touches recalls a time when all we had were our screens.

‘Housewife of the Year’: Contestants Look Back in Dismay

Ciaran Cassidy’s film revisits an Irish television show that judged stay-at-home moms on budgeting and appearance.

‘Chaos: The Manson Murders’ Review: All You Ever Knew is Suspect

Errol Morris returns to his main obsessions — evil and delusion — in a new Netflix documentary about the famous murders.

‘Eephus’ Review: One Last Game

The final day on a small town baseball field is the setting for a funny, elegiac feature directorial debut.

Joan Didion Knew the Stories We’d Tell About the Manson Murders

Didion’s influential account of the era, “The White Album,” captures the ripples of terror provoked by the 1969 murders.

The Fairy Tale Night of Sean Baker, Director of Dreams Gone Awry

Baker’s four Oscars for “Anora” are validation of his sensitive portrayals of people on the margins who always seem to come up short.

These Films See People the Way They See Themselves

RaMell Ross subverts our gaze, breaking the conventional frame in “Nickel Boys” as he did in his documentary “Hale County This Morning, This Evening.”

A Guide to the Documentary Oscar Nominees

A quick guide to the nominated films and why you should watch them.