Caitlin Cronenberg’s debut feature is set in a dystopian world that’s alarmingly believable.

In “Little Empty Boxes” and other films, the heartbreak of memory loss is intertwined with deeper cultural implications.

Guy Ritchie’s latest is the platonic ideal of an airplane movie, which is not exactly a good thing.

The film examines the retailer’s tactics and is surprisingly similar to exposés about cults.

A high-concept movie about music and grief lacks follow through.

Set in Pakistan, the story of a young woman and her family, hemmed in by men, shifts from realism to genre, with heart-pumping consequences.

In the new series and in five previous movies, the character serves as a blank slate to examine the mores and concerns of the time.

Though both documentaries follow programs for rising high school seniors, their differences speak volumes about the challenges the participants face.

A family of Syrian refugees connects with a once-thriving mining town in Ken Loach’s moving drama.

The latest in the Warner Bros. Monsterverse franchise shows signs of an anemic imagination.