Daisy Ridley stars as an office worker who’s just going through the motions.

There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.

Jodie Comer stars in a lethargic adaptation of Megan Hunter’s best-selling novel.

An uncommonly strong debut from the Vietnamese director Pham Thien An asks existential questions without answers.

As our critic knows, missing out on the shared experience of school is deeply strange. It’s something Hollywood rarely acknowledges, except in these films.

The painter Apolonia Sokol is the ostensible subject of a wide-ranging documentary about life itself.

LaKeith Stanfield leads a predominantly Black cast in a retelling of the story of Jesus that’s both irreverent and devoted.

The backyard pool is a symbol of love and of terror in this uneven but scary horror film.

In a kitchen pas de deux, two cooks turn a feast into a meditation on time, longing and the seasons.

In his feature directorial debut, Daniel Levy applies a light but wise hand to a man navigating life after loss.