In his performances in “Michael Clayton” and other films, he brought an element of danger and uncertainty that kept us on edge.

An idealistic teacher in a German school meets reality, and it’s messier than she could have imagined.

The Atlantean hero-king returns as a new father, a bit worse for wear. But this sequel feels like a film for grown-ups who like fun.

Playing a man alienated from himself and looking for answers, Andrew Scott makes this film sing.

There’s a lot to like about this musical film version of Alice Walker’s novel, but the story remains slippery to would-be adapters.

As the company celebrates its 100th anniversary, its dominance as a generation-spanning cultural force no longer seems certain.

This sequel is in many respects a cover song, a repeat of the beats and characters of “Chicken Run.”

The former boxer had a gift for mixing innocence and wit. It didn’t hurt that he had the face of a good guy.

The history and thought of the artist Anselm Kiefer is threaded throughout this exceptional documentary from Wim Wenders.

This film about the apocalypse, directed by Sam Esmail and adapted from Rumaan Alam’s novel, leaves little room for imagination.