Ricky Ian Gordon and Lynn Nottage tell the story of three generations in a Harlem home. Enter a second Nottage generation, her daughter, on the...

Brett Mitchell led the New York Philharmonic in the local premiere of a song cycle by Kevin Puts, featuring the soprano Renée Fleming.

The countertenor Anthony Roth Costanzo stars in a revival of Mark Morris’s witty, sensitively choreographed production.

Karina Canellakis, a born-and-raised New Yorker, led her hometown orchestra alongside another debut, of the pianist Alice Sara Ott.

An exciting program featured the conductor Elim Chan and the cellist Sol Gabetta in a pairing of music by Martinu and Rimsky-Korsakov.

At Carnegie Hall, a program of Stravinsky, Weill and freely improvised Gershwin highlighted a dialogue between jazz and classical music.

“The Chevalier,” an intriguing music-theater hybrid, unwraps the still little-known life and work of this 18th-century composer.

David Robertson returned to the podium to lead the orchestra’s first in a series of performances to celebrate the centennial of Gyorgy Ligeti’s birth.

At the Park Avenue Armory, an imaginative and viscerally shocking staging of Schubert songs from the director Claus Guth and the tenor Jonas Kaufmann.

The jazz composer wrote a new concerto for the New York Philharmonic’s principal trombonist, Joseph Alessi, but died before its U.S. premiere.