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  • Calum Marsh

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‘Ferrari’ and ‘The Killer’: 1 Cinematographer, 2 Very Different Looks

Erik Messerschmidt worked with the directors Michael Mann and David Fincher to create cohesive worlds that feel nothing alike.

Why Anime Fans Hate the Growing Use of C.G.I.

As the industry continues to embrace computer-generated work, some audiences struggle to accept the change.

‘The Family Plan’ Review: Who’s Your Daddy?

Mark Wahlberg plays a husband and father hiding a secret identity in this breezy, entertaining action-comedy.

‘Please Don’t Destroy: The Treasure of Foggy Mountain’ Review: Fools’ Gold

The “S.N.L.” troupe, known for digital shorts, makes its feature debut with this goofy, episodic adventure farce.

‘Beckham,’ ‘Sly’ and the Challenge of Objective Filmmaking

“The Last Dance” — the Michael Jordan-backed documentary about, well, him — has inspired several celebrities to commission their own biographical films.

‘Albert Brooks: Defending My Life’ Review: Revisiting Past Hilarity

This actor, comic, writer and director is seen in a cinematic retrospective that celebrates his talent, but not always in a critically discerning way.

‘Subject’ Review: A Question of Ethics

Filmmaking principles come under scrutiny in “Subject,” a documentary about the making of documentaries.

‘Inspector Sun’ Review: A Web of Cinema Classics

The newly released English version of this Spanish children’s film about an arachnid gumshoe is a comic mystery indebted to Agatha Christie and swashbuckling epics.

‘The Devil on Trial’ Review: Whodunit? Satan?

This documentary revisits a 1981 homicide that the defense tried to attribute to demonic possession.

How Taylor Swift: The Eras Tour Was Turned Into a Movie

Movies like “Taylor Swift: The Eras Tour” rely on savvy tricks and sophisticated techniques to capture a semblance of the live experience.