Cultic and unclassifiable — “clearly some sort of monstrous hybrid” — Bley’s “Escalator Over the Hill,” a 1971 album, is being staged at the New...

Over two nights at Carnegie Hall, Andris Nelsons and the orchestra reveled in the composer’s sonic riches but played with emotional reserve.

Guest conductors and the firebrand soloists Patricia Kopatchinskaja and Alisa Weilerstein brought welcome energy to David Geffen Hall.

The ornately decorated fiddle belonged to the dance master who taught Robert Burns. At Carnegie, it will cap “Scotland’s Hoolie in New York.”

The venerable quartet returned to Zankel Hall with a typically eclectic program and a newfound emotional intensity.

Joana Mallwitz, one of Germany’s fastest rising stars, makes her Metropolitan Opera debut in “The Marriage of Figaro” on Monday.

The Los Angeles collective Wild Up brought its Darkness Sounding festival to New York, with some of the event’s appeal lost in transit.

When the star singer Asmik Grigorian dropped out of the orchestra’s performance at Carnegie Hall, Beethoven’s Fifth and his “Leonore” Overture No. 3 subbed in.

Blacklisted at home but finding acclaim abroad, she sought to bridge East and West, the sacred and the secular, in vivid, colorful compositions.

Marin Alsop led the orchestra in a program of works by Beethoven, Brahms and Stravinsky, as well as a new violin concerto by Nico Muhly.