Kathryn Lewek has made a specialty of singing the showstopping role in Mozart’s “The Magic Flute.” “It’s my security blanket,” she said.

Our critic joined with amateur singers and professionals for a “Messiah” sing-in at David Geffen Hall, just one “Messiah” on the city’s holiday calendar.

The Silkroad Ensemble’s “American Railroad” and Alarm Will Sound’s “Sun Dogs” used music and images to engage with difficult topics.

Lucy Shelton, a soprano known for her work in the contemporary repertoire, has had a role tailor-made for her in “Lucidity,” an opera about identity...

“The Other Side of Silence,” a new work in development, is experimenting with giving operatic voice to a text-to-speech synthesizer.

The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.

In Shakespeare, music is an integral part of the action. But the First Folio, which turns 400 this year, failed to transmit how it should...

Women in the industry are speaking out about what they feel are cancellations motivated by their appearance rather than sound, even as there is a...