Recording collections reveal the talents of an essential 20th-century musician who lived through mental illness, Nazism and other tribulations.

The pianist Pierre-Laurent Aimard, a friend and collaborator of Ligeti, is helping the New York Philharmonic observe the centennial of his birth.

A pillar of chamber music for nearly a half-century, the Emerson players bid farewell with Beethoven’s Opus 130 and Schubert’s String Quintet.

Bach’s “Goldberg” Variations, which Olafsson recorded for Deutsche Grammophon and is touring this season, is “like a life cycle.”

Understated and unarrogant, Ax can be taken for granted. But he has long been, and continues to be, one of the finest American pianists.

The orchestra is in a period of transition, but one thing that remains consistent is the enduring quality of its summer home.

This year’s Bard Music Festival explores the work and context of a composer who strove to make art “an expression of the whole life of...

Muhly has reorchestrated Monteverdi’s foundational “L’Orfeo” for a new production at Santa Fe Opera.

Four popular composers explain how this Englishman’s ideas ricochet through their own works today.

Four popular composers explain how this Englishman’s ideas ricochet through their own works today.