

Hugh Morris
Posts

Inside the Detail-Obsessed, Essential World of Music Editing
When composers publish their scores or prepare them for performance, they need an editor — a role that rarely enjoys the classical music limelight.

Alexandre Kantorow Rises, With Piano Prizes and the Paris Olympics
The 27-year-old musician Alexandre Kantorow has rapidly received worldwide attention. That hasn’t changed his approach to making music.

The London Contemporary Music Festival Trolls for Aesthetics
The directors of the London Contemporary Music Festival discuss this year’s edition, the event’s 10th anniversary.

At 75, the Aldeburgh Festival Is Bigger Than Benjamin Britten
The coastal festival, founded by the composer and Peter Pears in the 1940s, has built a reputation for rich, forward-looking programming.

At 75, the Aldeburgh Festival Is Bigger Than Benjamin Britten
The coastal festival, founded by the composer and Peter Pears in the 1940s, has built a reputation for rich, forward-looking programming.

Gerstein’s ‘Music in Time of War’ Pairs Debussy and Komitas
Kirill Gerstein’s immense recording project “Music in Time of War” surveys works by artists who witnessed World War I and the Armenian genocide.

Holst’s ‘The Planets’ Was a Hit, and a Team Effort
Gustav Holst composed “The Planets” with crucial help from others. Firsthand accounts and the score reflect how collaborative its creation was.

Two Pianists Make a Life Out of an Intimate Art Form
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.

Two Pianists Make a Life Out of an Intimate Art Form
Pavel Kolesnikov and Samson Tsoy, partners onstage and off, began to play as a duo in school. Now, they are dedicating their careers to it.

‘Last Days,’ Opera Inspired by Kurt Cobain Film, Heads to L.A.
Oliver Leith’s opera, based on the Gus Van Sant film that fictionalized the end of Kurt Cobain’s life, has its U.S. premiere in Los Angeles.