Part black comedy, part paranoid thriller, the 1979 movie returns after four decades in a new 35 mm print at Film Forum.

Jean Eustache’s digitally restored 1973 film, now at Lincoln Center, is part of a full retrospective of his work.

Liza Béar’s deadpan anti-thriller returns to the Museum of Modern Art for a limited engagement.

Lucian Pintilie’s newly restored mad farce, now at Film Forum, paved the way for the Romanian new wave.

Jeanne Moreau’s first film as a director is showing for a week at Film Forum, newly restored and seven minutes longer than its 1976 U.S....

Newly restored, Claire Denis’s quasi-autobiographical “Chocolat,” a child’s-eye view of French colonialism, is austere yet vivid.

He was a painter, a musician, a photographer and a sculptor. But he was best known for experimental (and often contentious) films like “Wavelength.”

In its unflinching depiction of a French teenager’s violent gay awakening, this 1983 film is among Patrice Chéreau’s most confrontational works.

A 4K restoration of Hou Hsiao-Hsien’s thrumming, visually bold movie about a self-destructive club girl retains its capital-L look.

She took home, to Ohio, a 2019 Oscar for “American Factory,” and in a long career teaching and making films, she paid special attention to...