

Jesse Green
Posts

‘Harmony’ Review: Barry Manilow Writes the (Broadway) Songs
The pop star of the 1970s and ’80s crosses over to musical theater with a dark story about pop stars of the 1920s and ’30s.

‘Pal Joey’ Review: Bewitched, Bothered and Bewildering
Joey is still a heel in this major revision of the 1940 antihero musical, but he’s now a Black artist trying to find his true...

Review: In ‘Stereophonic,’ the Rock Revolution Will Be Recorded
David Adjmi’s riveting new play, with songs by Will Butler, is about a ’70s band that nearly destroys itself making an epochal album.

‘Here We Are’ Review: The Last Sondheim, Cool and Impossibly Chic
This inventive, beguiling and not quite fully solved puzzle of a show is a worthy and loving farewell to the great musical dramatist.

‘The Shark Is Broken’ Review: A Bloodless Postscript to ‘Jaws’
Just when you thought it was safe to go back in the theater, a play about the making of Hollywood’s first summer blockbuster bobs up...

‘Back to the Future’ Review: The DeLorean Crash Lands on Broadway
The addition of 17 songs turns the 1985 sci-fi classic into a big “why?” musical with a big wow factor.

Review: Dancing With Dictators in David Byrne’s ‘Here Lies Love’
A new Broadway musical tells the disturbing story of Imelda Marcos by putting her, and the audience, in a disco.

Sheldon Harnick, Musical Theater’s Great Marriage Broker
In lyrics of rare humor, elegance and compassion, the man who put words to “Fiddler on the Roof” and “She Loves Me” explored the complex...

‘Monsoon Wedding’ Review: Marriage of Musical Styles, With Mixed Results
Mira Nair’s 2001 movie about a couple brought together by their families becomes a song-filled pageant, with mixed results.

‘Oliver!’ Review: Tunes, Glorious Tunes, in a Grimly Cheerful Revival
The Encores! production, directed by Lear deBessonet, looks to deepen and darken a musical that resists the change. But it’s still delightful.