Performing in New York, Seong-Jin Cho presented a marathon survey of Ravel’s solo piano works and appeared in Prokofiev’s Second Piano Concerto.

One of the busiest stage directors in Europe is fully arriving, at last, with “The Threepenny Opera” this spring.

A concert performance of “Vanessa” freshly argued for the vitality of a work that deserves to be staged but languishes with its midcentury peers.

After the pianist, Vikingur Olafsson, asked for a concerto over beers, the composer, John Adams, wrote “After the Fall,” which will now travel the world.

The bass-baritone Bryn Terfel returned to the Met for the first time in 13 years, alongside Sondra Radvanovsky, one of the great Toscas of our...

A revival called “Show/Boat: A River” joins a history of reimagining the musical that goes back nearly a century, to its first performances.

Ferruccio Busoni, who died 100 years ago, was a globe-trotting, forward-thinking composer and teacher with a message of timelessness in music.

“Paris & Nicole: The Encore,” a sequel to “The Simple Life,” is a comedic lark about creating an opera, with enlightening lessons along the way.

Over three nights, the Czech Philharmonic presented Dvorak’s concertos and more, including a rare performance of Janacek’s “Glagolitic Mass.”

Listen to how Tchaikovsky uses the celesta in “The Nutcracker,” unleashing the potential of the instrument to signal playfulness and fantasy.