Joshua Barone
Posts
Review: The Danish String Quartet Spins Through Schubert
The group returned to Zankel Hall for the latest installment of its “Doppelgänger” project, featuring a premiere by Anna Thorvaldsdottir.
‘Carmen’ Review: We’re Not in Spain Anymore
The choreographer Benjamin Millepied’s directing debut is an of-the-moment but scattered take on a classic love story.
Review: András Schiff Wears Two Hats at the New York Philharmonic
Taking a cue from Mozart, András Schiff appeared with the New York Philharmonic as both piano soloist and conductor.
At 150, Rachmaninoff and His Music Are ‘Here to Stay’
Kirill Gerstein, who has recorded a new account of the Second Piano Concerto with the Berlin Philharmonic, discusses the composer’s polarizing legacy.
Review: John Luther Adams’s ‘Vespers’ Pray for an Earth in Crisis
John Luther Adams’s latest premiere, “Vespers of the Blessed Earth,” is a tear-splattered departure from his usual style.
Review: Philip Glass and the Meaning of Life
The director Phelim McDermott, who has acted like a visual translator of Glass’s music, pays tribute to the composer in their show “Tao of Glass.”
Review: Lise Davidsen Shines, and Evolves, in ‘Der Rosenkavalier’
The radiant young soprano returned to the Metropolitan Opera to star as the Marschallin in a revival of Strauss’s “Der Rosenkavalier.”
Review: The New York Philharmonic’s ‘St. Matthew Passion’ Is a Surprising Achievement
Jaap van Zweden is not known for Bach. But the “St. Matthew Passion” made for one of his finest New York Philharmonic concerts this season.
For Jean-Yves Thibaudet, a Detour From Classical Is Business as Usual
Jean-Yves Thibaudet is playing Messiaen’s “Turangalîla-Symphonie” this week. But before, he debuted a night of jazz standards with Michael Feinstein.
A Conductor Arrives at Encores! With Jerry Herman’s ‘Dear World’
Mary-Mitchell Campbell, the series’ new music director, will lead a restored performance of “Dear World,” starring Donna Murphy.