The director Phelim McDermott, who has acted like a visual translator of Glass’s music, pays tribute to the composer in their show “Tao of Glass.”

The radiant young soprano returned to the Metropolitan Opera to star as the Marschallin in a revival of Strauss’s “Der Rosenkavalier.”

Jaap van Zweden is not known for Bach. But the “St. Matthew Passion” made for one of his finest New York Philharmonic concerts this season.

Jean-Yves Thibaudet is playing Messiaen’s “Turangalîla-Symphonie” this week. But before, he debuted a night of jazz standards with Michael Feinstein.

Mary-Mitchell Campbell, the series’ new music director, will lead a restored performance of “Dear World,” starring Donna Murphy.

After Russia’s invasion of Ukraine, this opera adaptation of Tolstoy seemed unperformable. But in Munich, it has become an urgent antiwar cry.

One of our wisest pianists appeared at Carnegie Hall with some of the wisest music written for her instrument.

François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.

Dudamel, the New York Philharmonic’s next music director, has a varied catalog of classics and contemporary works, as well as film scores.

The pianist Leif Ove Andsnes brought Dvorak’s sprawling 1889 rarity to New York with committed playing and interpretive wisdom.